行尸走肉第三季
1.3万支大学生暑期社会实践团队下沉一线 把课堂搬到基层 在服务中长才干_我的网站
A | 1.3万支大学生暑期社会实践团队下沉一线把课堂搬到基层 在服务中长才干日报讯（记者刘荣荣 见习记者屈玉琪）今年暑假，19.2万名高校学生、1.3万支实践团队走出校园，把课堂搬到乡野田间、基层一线，深入开展调研走访，参与公益托管、科技助农等各类实践活动，将所学书本知识转化为服务地方的实际行动，在察民情、长才干的历练中，实现青春成长与社会价值的双向奔赴。
Open Douyin, the Chinese version of TikTok, and AI-generated short dramas are hard to miss.
The stories span almost every genre familiar to Chinese audiences, from fantasy and immortal cultivation to urban romance and period tales.
The biggest difference is that the actors, settings and even many of the visual elements are generated by artificial intelligence (AI).
One of the latest hits is The Inverse Zone, an original mystery-thriller about monsters that has been dubbed an AI version of Stranger Things. The series has released three episodes so far, each receiving more than 1 million likes on Douyin.
Yet the team behind it consists of just three people, all born after 2000.
While Hollywood is still catching up with the short drama boom, China's short-drama industry is already moving into the AI era.
For many young creators, AI is not just another tool - it is a door that small teams could never have opened before.
"We've always wanted to make professional film and television content, with visual language, complete storytelling and a cinematic feel," Hu Hai, a member of the team behind The Inverse Zone, told the Global Times. "But the cost and barriers of live-action production were too high. Small teams had little chance to realize high-quality film and television projects."
As increasingly capable domestic AI models emerged, that door began to open. "The maturity of AI creative tools made us see new possibilities," Hu said.
The explosive growth of AI-generated short dramas is a double-edged sword: It opens doors for some, but leaves many in the industry uncertain about what comes next. Many actors who once benefited from the short-drama boom are now finding work increasingly scarce, with some turning to other professions. Meanwhile, the use of celebrities likenesses in AI-generated content (AIGC) has ignited a fresh wave of debate.
Where is the industry headed next? Global Times reporters spoke with AI creators, short-drama actors and industry experts about the opportunities and uncertainties ahead.
Lowering barriers
Hu studied directing and filmmaking in college. His team initially focused on short comedy videos, a field with relatively low production costs and less barriers to entry. But after years of producing this type of content, they eventually reached a creative plateau. That began to shift as more advanced AI tools came onto the scene.
To produce The Inverse Zone, the team used domestic video-generation models Seedance 2.0 and 2.5. The series took nearly two months to prepare, including world-building, character design and establishing a consistent visual style. "Seedance is the best in the world. It's extremely advanced. There's no model in Europe or the US that is more useful than it," Hu told the Global Times.
The technology does not mean production is effortless, however.
According to Hu, a typical episode costs around 4,000 to 5,000 yuan ($593-$741) to produce, while episodes involving large-scale scenes, complex special effects or demanding lighting and rendering can cost more than 10,000 yuan.
The team used AI for image generation, basic voice work and material rendering, while humans remained responsible for the script, character development, cinematography and post-production.
"The soul of the entire series is still controlled by people," Hu said. "All the key creative decisions are manually adjusted and repeatedly reviewed."
Ya Cen, operations head of AI video platform LibTV, told the Global Times that the AI short-drama ecosystem is now characterized by small teams, high productivity and strong individual styles. "The most direct value of AIGC is that it has lowered the geographic and financial barriers to film and television production," she added.
Actors in AI era
Yet the rise of AI short dramas is also creating new tensions.
AI-generated characters are now building fanbases, landing brand endorsements, and being described as the next generation of digital stars. At the same time, many celebrities including Taiwan actress Joey Wong have reportedly given permission for their younger likenesses to be used in AIGC.
The impact extends beyond celebrity likenesses. It is also being felt by people who once benefited from China's booming live-action short-drama industry.
The short-drama boom created opportunities for large numbers of actors, many of whom could quickly become recognizable faces. However, as AI-generated productions expand, some performers are finding fewer acting opportunities and turning to other professions.
Chongqing native Luo Xinyuan, 21, has experienced that shift firsthand.
She spent more than a year in Hengdian, East China's Zhejiang Province as a short-drama actress. Since May, she has worked at a scenic area playing Huang Rong, a character from a classic Chinese martial arts novel The Legend of the Condor Heroes.
"When short dramas were at their peak, there were lots of fast-paced, feel-good stories," Luo told the Global Times. "But that kind of content is difficult to sustain. Without richer and more meaningful stories, the pressure from AI short dramas will make things even harder."
For many short-drama actors, the disruption is likely to be structural rather than an immediate wholesale replacement, Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times. The question of celebrity likenesses may prove even more complicated.
Zhang warned that unrestricted authorization could raise concerns over control and revenue sharing. Without clearer rules, the technology could put further pressure on ordinary actors.
The next stage may not be a choice between humans and machines, but a new production model in which the two increasingly work together.
For creators such as Hu, that possibility is already here.
"AI has finally given young creators like us the opportunity to realize the film and television dreams we've had for years," he said.
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B | 为纪念抗日英雄赵一曼牺牲90周年，这支实践团奔赴英雄故里，在沉浸式学习中感悟革命精神。“新时代大学生虽不必直面枪林弹雨，却应当具备迎难而上的勇气。”听完赵一曼的事迹，团队成员程琬婷眼角泛起泪光，“我们要在科研攻关、志愿服务中扛起青年责任，走好属于我们这一代人的长征路。”连日来，广大青年学子追寻红色足迹，在革命热土上汲取信仰力量。
C | 师范大学马克思主义学院“红砖”星火实践队走进西柏坡革命老区，开展7场主题宣讲，完成18场深度访谈，用青年视角探索红色故事的传播新路径；美术学院“抗大薪火·邢襄文脉”实践团奔赴中国人民抗日军政大学总校办学旧址，通过现场写生创作，用笔尖定格红色旧址原貌；农业大学植物保护学院“植青振乡”实践团来到涞源县博物馆，循着史料足迹重温太行老区峥嵘岁月，接受红色精神洗礼……走进乡村街巷、俯身田间大棚、投身政务实践……广大学子立足自身专业特长下沉基层，将所学知识转化为实干动能。“从检测数据来看，这些羊粪如果不处理直接堆置或者还田，容易造成水体污染，带来耐药菌扩散等风险。”近日，保定职业技术学院“青禾牧创”实践团成员结合调研数据，向唐县肉羊养殖场的养殖户讲解粪污处理技术。唐县是华北地区重要的肉羊养殖基地。
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