超凡蜘蛛侠

磴口县关于对涉山涉水旅游景区及网红打卡点实施临时关停的公告_我的网站

欺诈游戏

A |

Elliot James Reay sings on stage at a Chinese live show. Photo: Courtesy of UMG
Elliot James Reay could have copied every other Western act and sung a Taylor Swift cover. Instead, he took 1950s rock'n'roll to a live TV show where autotune is switched off and discovered a version of fame that Britain has forgotten.
Elliot James Reay was traveling in the US, trying to finish a song, when his manager called. There was an invitation to join Singer 2026, a prime-time live music show in China. Reay didn't hesitate. He had traveled the world before he was a full-time musician, but had run out of money before reaching China. "I went everywhere but China," he said while sitting for an interview with the Global Times, sitting in the office of his label in Beijing, from which the Palace Museum can be seen not far away.
Reay is, in the West, a very 2020s kind of artist. He began posting short covers on short video platform TikTok in 2019; during the UK Covid lockdown, he chose to focus on growing his fan base. He now has millions of followers across platforms, and his debut single notched 10 million views before it was even released. In the British industry, this is both a leg-up and a trap. "You can have all the followers," he says, "but they don't guarantee people will buy tickets."
In China, that equation flipped.
Elliot James Reay sings on stage at a Chinese live show. Photo: Courtesy of UMG

Elliot James Reay sings on stage Photo: Courtesy of UMG
Nervous again
The Chinese show, Singer 2026 is broadcast completely live, with no pitch correction. For Reay, who had played enough small gigs to feel comfortable in his own skin, it was a shock. "I haven't felt nerves in a long time," he says. "But I've never been in a competition before. To have my singing judged against other people made me really nervous."
He watched Week One's performances from the wings and saw why. "The standard was terrifying," he says.
But the format, he admits, is something the UK no longer has: a televised singing contest that treats vocal ability as a public event, not a pre-packaged product. "It made me feel like I just started my career again."
Reay's lane is retro. Not as pastiche, but as lineage. He wears the silhouette of Elvis Presley, sings in the grain of 1950s pop, and writes songs that sound like they were cut from a Sun Records demo. He could have sanded it down for Chinese audiences, but he didn't.
"Someone has to start the wave before you can see it," he says. Among the songs he performed were "Unchained Melody" and his original track "I Think They Call This Love," which he co-wrote with his girlfriend. He points out that the Beatles still sit next to Taylor Swift on the radio, and that pop started in the 50s. "It's the foundations of pop," he says.
Learning to feel the words
In the final, Reay performed a bilingual version of the Chinese song "Hou Hui Wu Qi" (The End of the World). It was his first time singing in another language. He spent five days learning the Chinese lyrics, listening to the original on loop.
"There are sounds in Chinese we just don't have in English," he says. "I couldn't hear the difference at first. I'd say it, and Helen (his translator) would say, 'No.' I thought I was saying the same thing." Eventually, he stopped trying to hear it and started trying to feel it. "It became more about how it felt to say it. How I place my tongue in my mouth," he says.
He didn't understand the meaning until day three. "Helen gave me a card with the Chinese characters and the English translation. It's very poetic," he says. The performance received a strong reaction, with it being called an attempt at "cultural fusion."
He had saved his own original, "I Think They Call This Love," co-written with his girlfriend, for the same final. He had held the song back deliberately. "I knew that any week was my last week," he says, "but I knew that if I made it to the grand final that I had to do it then." He had no idea it would become the last song of the entire show.
When he finished, he walked straight off stage, took his girlfriend's hand, and the two of them left together, a moment that trended on Chinese social media that night.
The song is about the exact point they realized they were in love; it was also the first track of his career he fully believed in and pushed into the world. Having her there to watch it live, after weeks of her only seeing performances on a phone in a hotel room, "tied the whole thing in a bow at the end."
A touring musician, not a TikToker
Reay is open about the tension between his origin story and his ambition. "I don't want to be a TikTok celebrity," he says. "I'm a musician. I want to tour."
The platform gave him an audience, but it also boxed him in. He remembers friends who wrote incredible songs during lockdown, while he chose to build a fan base. Now, he says, some of those friends have had to stop writing and make TikTok videos instead.
China, he says, gave him permission to be both an online creator and a live performer. Universal Music, his label, didn't push him to chase trends. "They never said, 'Do this, do that,'" he says. "They supported what I wanted to sing, and then they made it the best version they could."
Before Reay, a string of international artists had already found warm receptions and career-shifting opportunities in China. Kazakhstani singer Dimash Kudaibergen, Malaysian star Shila Amzah, US country artist Mickey Guyton, British vocalist Jessie J, and French singer-songwriter Joyce Jonathan all won large Chinese audiences through high-profile television appearances and live performances, each using the platform to open a new chapter in their careers.
He's already planning a return. He wants to bring a tour. He wants to buy the traditional instruments he saw on set and take them home to England. "I'm going to learn how to play them," he says, "and maybe put them into my music."
The advice he'd give other Western artists looking East is to stay loyal to yourself. "Be yourself," he says. "It's very easy to want to change yourself to fit into a market, but at the end of the day, if you stay true to yourself, you'll be happy."
"In the UK, I felt like I needed to do other things to make other people happy," he says.
"If I hadn't stopped doing that, I wouldn't be sitting here. I wouldn't have done the show. My whole journey would be different," he says.
。尊敬的广大居民、游客及旅行社：根据磴口县防汛抗旱指挥部办公室（县应急管理局）、磴口县人工影响天气与气象灾害防御管理指挥部办公室（县气象局）2026年8月23日17时联合发布的气象灾害防御提示信息，预计8月25日凌晨至27日白天我县将出现一次强降水天气过程，主要降水时段集中在25日凌晨至26日夜间，期间伴有短时强降水、雷暴大风、冰雹等强对流天气。25日凌晨至26日清晨大部地区小到中雨、南部大雨；26日白天至27日清晨大部地区中到大雨，过程累计降水量25～50毫米，最大小时雨强15～20毫米。

B | 此次降水过程持续时间较长，强对流特征明显，极易引发山洪、城市内涝等次生衍生灾害。

C | 为切实保障人民群众及广大游客生命财产安全，根据防汛安全管理相关要求，经研究决定，现就磴口县各涉山涉水旅游景区（景点）、网红打卡点临时关停事项公告如下：一、关停时间自2026年8月25日8:00起至8月27日18:00（视天气及安全评估情况适时调整）。二、关停范围磴口县所有涉山涉水旅游景区（景点）、网红打卡点、野外露营地，包括但不限于：纳林湖景区金马湖畔旅游度假区奈伦东湖码头漠北青年星空营地鸡鹿塞渡·阴山自驾线路三、关停要求 1. 全县各涉水旅游景区（景点）、网红打卡点于8月24日18:00前，组织开展景区清园作业，对景区内游客、施工人员逐一排查，全域不留盲区、人员不留遗漏。在关停期间全面暂停对外开放，停止一切游览、露营、户外休闲等经营活动。

D | 请各景区管理单位严格落实安全生产主体责任，及时发布关停信息，做好游客劝返和疏散工作。 2. 各涉山涉水旅游景区（景点）、网红打卡点严格执行24小时防汛值班制度，足额配备防汛沙袋、救生器材、应急照明等防汛物资。遇强对流天气果断采取限流、关停、疏散措施。一旦发生山洪、滑坡等险情征兆，须第一时间组织游客转移避险，坚决做到应转尽转、应转早转。 3. 请广大游客及时关注最新预报预警信息，合理调整出行计划，切勿在强降水时段前往山地、峡谷、水边等危险区域游玩。

E | 已进入景区的游客请服从现场工作人员指挥，迅速撤离至安全区域。 4. 各旅行社及旅游从业者应密切关注气象预警信息，及时调整团队行程，做好游客的解释和安置工作。四、安全提示强降水期间，山洪地质灾害风险显著升高，短时强降水易在山谷、河道快速汇流，诱发山洪、滑坡、崩塌落石与泥石流等地质灾害，徒步与自驾活动的受困、遇险概率显著提升。