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Alleged Ex-Boyfriend Files Restraining Order Against Ricky Martin, Citing Domestic Abuse_我的网站

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一 | Pop idol Rocky Martin has been hit with domestic abuse allegations, as a restraining order was filed against him on Friday, Puerto Rico police spokesman Axel Valencia told the press. According to him, the police tried to serve Martin in the north coastal town of Dorado, but were not able to find the star.,Newspaper El Vocero alleged that according to the document, Martin and the petitioner dated for seven months and broke up two months ago. The other side reportedly claims to have seen Martin loitering near their house at least three times, and now fears for their safety.,Police noted, that the petitioner did not contact them, sending the request straight to the court,A representative for the singer dismissed the claims as false in a comment to the People magazine.,"The allegations against Ricky Martin that led to a protection order are completely false and fabricated", the representative said. "We are very confident that when the true facts come out in this matter our client Ricky Martin will be fully vindicated.",This comes days after his ex-manager Rebecca Drucker filed a $3 million lawsuit against Martin, claiming that the star owes her "substantial commissions".,She also alleged she had saved him from a "potentially career-ending allegation", mentioning that the singer had many personal issues, including nonpayment of taxes and substance abuse.。赏艺润心田聚力共成长 “一季一景”课程组审美鉴美赏美之旅启发灵感共同进步岁序常易，时盛日新，聚力前行，共同进步。为了打造富有启发性和教育意义的环创，也为了拓宽团队视野，为教师美育搭建成长平台。12月14日，南山区机关幼教集团携手各园“一季一景”课程组一同前往深圳美术馆，共同踏上探索“雨亦奇——李可染写生七十周年深圳特展”的艺术学习之旅。 Part 01 走进李可染李可染（1907-1989）中国现代著名国画大师，自幼习画，深受潘天寿、林风眠影响，师从齐白石、黄宾虹学画，曾在多所艺术院校任教，通过写生使山水画推陈出新。擅山水、重写生，提出“用最大功力大进去，最大勇气打出来”“可贵者胆，所要者魂”，将西画技法和谐地融化在深厚的传统笔墨和造型意象之中，取得了杰出的成就。

二 | 他始终恪守着中国山水画的特质，以开放的心态，兼收并蓄，赋予了传统笔墨语言新的品质和意蕴。在中国园林中，窗洞常作为取景框。透窗洞见白伞，乃李可染自制写生阳伞。伞柄加长、有小叉脚，显温情。白伞与小马扎似有时空魔力，在眼神触及的瞬间便把人带回李可染写生时景。

三 | 李可染作品欣赏左右滑动查看更多本次展览设多个巧妙的窗洞，打破空间阻隔，提供不同观赏角度，成为观者视线的引导。透过窗洞，可隐约看见形色来往的人影，为整个展览空间增添了几分趣味和互动性，展场亦为展，观者亦成景。

四 | Part 02 胸中丘壑，笔底烟霞尚未真正迈进展览大厅，清脆的鸟鸣与潺潺溪流之音便已飘然而至，宛如自那钢筋水泥、喧嚣繁华的都市丛林中突围而出的自然使者，带着观者缓缓踏入李可染先生“师法自然”的山水乾坤。

五 | 老师们在驻园艺术家罗素民老师的带领下鉴赏李可染先生不同时期的代表作品。罗老师的解说融合专业知识与实践经验，聆听间收获良多。 1954年李可染初下江南写生，始终没有找到适合表现江南烟雨的新方法。一日，李可染雨中写生回到旅舍，兴奋地展开画稿，对张仃和罗铭说：“雨亦奇，雨亦奇！”原来，李可染在西湖边冒雨写生时，不时有雨点洒落画稿之上，将他刚刚着墨的地方洇开，冲出意想不到的渍痕，水光潋滟晴方好，山色空蒙雨亦奇。

六 | 欲把西湖比西子，淡妆浓抹总相宜。

七 | 驻园艺术家的讲解吸引了现场观众的学习兴趣一季一景李可染之所以取得艺术上的成功，是从传统到生活而进入创造。无论是中国传统“游观”的方式，还是西方写生的观念，都要求艺术家深入生活、到大自然中汲取创作的灵感，并结合时代精神，不断修正和创新。 “一季一景”课程组也将借鉴这一理念，从幼儿视角出发注重幼儿的参与和体验，创新设计各种互动性和探索性的环境元素，到幼儿中去，激发幼儿的好奇心和探索欲望，为幼儿创造更加优质的学习和成长环境。